| OurSound in the Newspaper
Our Sound music columnist Bill Henry turns his eyes and ears on the area's vibrant, multi-genre music scene every week in The Sun Times. From blues to bluegrass, folk to funk, pop to punk and classical to celtic, Henry writes about the area's performers and music trends. The veteran Sun Times news reporter, photographer and local musician's Our Sound column mixes profiles, feature stories, advance concert coverage, occasional reviews and scene-setting observations to chronicle the rich and diverse Grey-Bruce music community. Read Bill Henry's Our Sound column every Thursday on The Sun Times entertainment section front... .
Outdoors Report: Prospects appear promising for razor clamming on ...
Conditions should be much improved with better weather when selected ocean beaches open for razor clam digging Friday through Monday. On a three-day dig during the holidays, clam diggers had to contend with swells of 13 to 15 feet and the resulting rowdy surf. Nonetheless, many diggers achieved their 15-clam limits or close. "Those iffy conditions scared off a fair number of folks," said Dan Ayres, state coastal shellfish biologist, "but those who came the first night did pretty well. The north end of Long Beach was good, Twin Harbors was good, Mockrocks was good." You can take that to mean there is no lack of clams on most beaches. With the weekend forecast calling for showers, temperatures in the mid-40s and swells maxing out at 9 feet, digging should be a little easier, too.
In The Valley Of Elah
It's a fictionalised version of the story of Richard Davis, who was murdered with awful brutality near Fort Benning, Georgia, in 2003. Before I amplify my praise, let me raise some doubts about the Hollywood peace train now getting up steam. A lot of films are now questioning the Iraq war - sort of. As usual, they are following American public opinion, rather than leading it. It's true that this is happening more quickly than it did after Vietnam; it's also true that the war in Iraq, depending on your source, is not yet won or lost, so none of these films is really prepared to call it an unjust, immoral or a pointless war - whatever the American opinion polls say. That's hardly surprising but I don't think any film so far has even given a sense that most of the suffering is in Iraq, rather than the US.
When the Bop Gun Jams
I'm sitting in the Hut, a tiny converted garage perched behind a house in dire need of a few more slices of vinyl siding, with the illest ad hoc catwalk you'd ever want to cannonball off looming over a circular, aboveground pool. From the outside, it's a drab affair; but inside, the Hut is a makeshift, chaotically beautiful two-room recording studio, the pride of Plainfield, New Jerseybetter known to residents as Queen City. Stacks of music paraphernalia and debris both clutter and fortify this weakly lit mini-museum: 45s, analog compressors, turntables, keyboards, reel-to-reel machines, and . . . wait, is that a Commodore 64 on the floor? Then there are all the faces. A mishmashed tapestry of photos stapled to the walls creates a surreal timeline of rhythm and blues and hairdos, promo pics of black starlets, doo-wop groups, and psychedelic slingers sportin' smiles and 'dos from the pin curl to the jheri curl.
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This is one of the last times Annmarie Corey (on right with young rider) will feed her seven horses at her stable in Falmouth. For the last seven years, Corey has used her land to run a horseback riding program for children with disabilities. In January, she had to sell her house and the land, after losing her property insurance... Read the rest of this WHDH-TV story here. Leave a comment _____________________________ Coast Guard could build firing range at Camp Edwards .
Into the Woods
The rich mix of 100 paintings, drawings, photographs and tourist souvenirs supplies the back story to important advancements in 19th-century art by relating them to the place where they were conceived. It situates green thickets, starry nights and red-streaked skies by such well-known artists as Jean Baptiste Camille Corot, Jean Francois Millet and Claude Monet within the well-traveled Fontainebleau forest and nearby villages of Barbizon and Chailly. This relational view is expanded through early photographs of the forest and its environs. Prints made from paper negatives and collodion processes are hung next to paintings and drawings to reveal a shared vision of place across different media. Monet's majestic tree-lined scene of the road through Fontainebleau, for example, is nearly identical to the pictures shot earlier by photographers Gustave Le Gray and Eugene Cuvelier.
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